I’m so pleased to hear that many of you liked my bees-on-acid-garments. I’ve since gone further down the print-craziness route, but have diverted from Drugs Lane and am now firmly down Folksy Avenue.
Forgive the washed out pictures – I normally have all of two minutes for a “photoshoot” before my photographer gets bored and my facial expression too forced and painful for publication. Plus I have zero photo edit skillz, so keeping it very real is what you get…
This is the same pattern as the Bees on Acid Peplum jacket, but clearly without the peplum. I had every intention of sewing it with the peplum, as that was what had attracted me to the pattern in the first place, but somehow on this jacket it was just too much. So off went the peplum and I added a border to the bottom of the bodice. It’s a touch short for my liking, but that was the height of the border on the print.
You can see a little more detail her. The sleeves have turnups using the same bit of border. I quite like how the yellow line marks the end of the jacket almost like a piece of trim.
Of course, the fabric is the star in this jacket! I bought it last year in spring from Butinette, a German craft store that you really wouldn’t look to for stylish fabrics, so this was more of a surprise find. I started a different project immediately, made several stupid cutting errors, because the print isn’t symmetrical across the grain and the border runs down the centre of the fabric, not down one side, and both portions on flowers on white background on either side of the border aren’t the same and aaaaaaaaahhhhhhhh – you have to think around too many corners to get a regular print placement. Had to reorder fabric, could only get 1 more metre, got annoyed and everything landed in some forgotten corner of deep stash.
But in my recent print frenzy (shortly after firmly declaring that I prefer solids – oh the irony!) I was reminded of the fabric and pulled it out again.
This time, too, I couldn’t get my head around the print placement, so it isn’t symmetrical across the front, but I don’t even notice that myself with all that is going on on this fabric.
I didn’t line the jacket as I want to be able to wear this now and I do get hot very easily. A lined jacket would end up in a crumpled mess in my handbag in no time. The side seams are just overlocked. I thought of binding them just like in the Bees on Acid Jacket, but then I felt that the one strip of binding around the front facing and the arm scythe seam is enough.
I have to say while I’m easily excited by new and shiny makes I REALLY love this jacket! I think this is one of those items that will stay in my wardrobe for a long time to come. That means a lot as I’m quite ruthless and not sentimental at all when it comes to parting with me-mades…
If you want to have a better look at this gorgeous fabric and a wonderful make (and A LOT better potography), go and have a look at Sea Of Teal’s make using the same fabric. Just wonderful, isn’t it?