Tag Archives: Burdastyle

Burdastyle 8/2015 #120 : An Almost Crop Top

I’m posting this in the full knowledge that I should try and get proper pictures, you know, with me actually inside the top.
However, I’ve managed to not get proper pictures for the best part of three months, so maybe it’s not to be for this top.

But anyway: I made a top, in my new favourite colour Blush.

The pattern was Burdastyle 8/2015 #120, without the overlay.

I had in fact made this before, but shamefully never blogged it. The fabric was a beautiful looking poly that was so static and sweaty to wear that I wore the top two or three times and sent it on to the charity shop during my last clear out where hopefully it will find another home.

I shortened it a little bit, gently curving the front seam upwards. I also put in split hems – because I could.

The back has a CB seam (because the original pattern has a button closure), but it’s all straight, so it could easily be eliminated.

The neckband is simply the same fabric with the reverse side showing. Unfortunately it doesn’t lay quite flat, but this only bothered me during the first wear, afterwards I quickly forgot to find fault with this project. Doesn’t that happen ever so often that we are overly critical with our own projects, only to be unable to identify a few weeks later?!

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Burdastyle 12/2016 #107(ish): The Look Behind Me Top

What can I say – long time, no see and all that… I blame Instagram: after not getting it at all for years I suddenly really started enjoying it and have been snapping away on it rather than making the effort to write a proper blog post. (My Insta handle, or whatever they call these things is Said&Done Chris by the way, in case you’re interested).

But anyways, I have been sewing loads, absolute loads!! I’ve had quite a slow time at work, which is unusal for me, but is all part of a big plan, because I’m going to take a sabbatical FOR AN ENTIRE YEAR!!! starting from August. How amazing is that??!! It’s not exactly a surprise as such, I’ve been working towards this for five years, as my employer has this scheme where you can work overtime for a number of years in order to get back the hours accrued during the sabbatical, which means that I’ll be ON MY USUAL WAGES.

Yes, let me just repeat this: I’ll have a paid year off! Funnily, my colleagues don’t seem to enjoy me discussing this fact with them anymore, I can’t think why, so I thought I’ll share this with you 🙂

Anyways, I digress, sewing:

I made a little linen top, something to wear for the warmer weather that we had a couple of weeks back. I love the front with the pleats and all that – but look at the back: it has bum-ruffles:

Just thinking of bum-ruffles is enough to put me in a good mood! In fact I’ve been known to laugh out loud on the train when considering the bum-ruffles.

The pattern I used is loosely based on Burdastyle 12/2016 #107

Obviously I moved the side ruffle towards the back and left off the sleeves. And of course I didn’t make it a dress. That’s because I didn’t want a dress, I wanted a chance to use bum-ruffles. But also I wouldn’t have had enought fabric because I was refashioning this dress I made a while ago.

Again, clearly not this exact dress, but that one – I just thought you might want to look at the dress as it actually looks. It turned out to be one of the makes I really liked the theory of, but that I never wore in practice. The dropped waist just isn’t for me, I guess.

So there, back to the top, inclusive of an honorary appearance for the Brexit Coat, flamingos and all.
(Excuse the hair, by the way. Don’t know what happened there…)

The front yoke is self-lined and I even handstitched it down. And two gratuitous pictures of the bum-ruffles, because this is how I roll. And really, do you know why they are there? Because I didn’t have enough fabric to cut the back as long as I wanted it. What a lucky coincidence, ey?

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Burdastyle 11/2016 #109: Isn’t it a great time to be alive?

Well, of course I know that there are many things in the world that don’t make life all that great, both on a political and personal level. But then, so many things are good about the world and my heart is overflowing with these right now!

I mean, how great is to have a quick drink down the ice cream parlour on a Saturday morning with Child 3, who, I feel, is camouflaged enough to warrant a rare appearance on these pages.

And how fab is it to be able to give an outing to the blouse that has been lingering in my wardrobe for about 6 months waiting for warmer weather.

What do you think of Child 3’s qualities as a blog fotographer? Not doing badly, don’t you think?

And my qualities as model are unparalleled, as has been discussed many times. Look how versatile I am: I can even look the other way!

But back to the blouse: It’s Burdastyle 11/2016 #109. I’d actually traced the corresponding dress pattern and then decided to make this into a blouse, so the hemlined is eyeballed rather than what is intended by the pattern.

I’m wearing a cami underneath because I felt it was still a little cold. But even without one the neckline feels perfectly fine to me, and that’s though I’m not always at one with Burda’s opinion that where there is  a neckline there’s a belly button.

The blouse is plain in the back. I used a lovely silk cotton woven. It’s quite sheer and it would have been a bugger to cut and sew if I hadn’t given it my gelatine treatment.

I also gave an outing again to my Rosa jacket – still one of the light jackets I reach for most often.

Because of the sheerness of the fabric I took some time over the interior finish. All seams are French and the neckline is faced in self fabric.

 

The sleeves are a little wide for my liking, but they have an elastic finsh and I can push them up and out of my way, so that’s fine with me. I like the little vintage touch of the front yoke with the gathering.

Let me just leave you with a few impressions of this perfect morning that made me smile!

 

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Burdastyle 8/2016 # : Pleat Front Trousers

To those of you who are waiting for news of the Brexit Coat: Rest assured that the project is in strong and stable hands and the Minister for Sewing the Brexit Coat would like to stress that while the difficulty level of choosing those buttons is in another galaxy the project is nevertheless  progressing at an appropriate speed.
But as I’m not sure how much longer I’ll be able to keep up Brexit-related analogies, let me give you some light relief: In a departure from my usual style I made some pleat front trousers.

They are one of my #sewdowndewsbury projects – in fact the only one that I went to buy fabric for specifically. I used a non-stretch woollen suiting, and when I say non-stretch I mean absolutely no give whatsoever, neither across nor perpendicular to the grain. I was a little worried about this as I’d never made or even worn trousers so relentlessly non-stretch, but it’s turned out well.

I used Burdastlye 8/2018 #111. The trousers are quite high-waisted (please note that I am high-waisted anyway, so they look rather “normal”, but on someone with a figure that corresponds more to the norm the trousers do come up high). Also the pleating is rather more pronounced than is usual. I am never sure whether this is wise on a pear-shape like me, but yolo, I’ve decided to embrace this.

I didn’t make any changes to the pattern other than scooping out the crotch curve a little. I normally add some extra room to the back, but this was not needed in this pattern – I guess the roomy front takes care of any booty issues. I think the pocket opening should move further down, so if I ever make these trousers again I have a good change of forgetting to make this adjustment ;-).

Next up: further procrastination on the Brexit front in the form of not one but three shirtdresses. Buttons pending, so don’t hold your breath!

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Burdastyle 3/2013 #103: The Brexit Coat Part III: Some Leadership!

Well, what can I say? I sure didn’t think that the connection between sewing and political life was quite so direct. But in view of the event of the day I decided that some leadership was needed and put a collar on the Brexit Coat.

Yes, I know I asked for your vote on no collar or Peter Pan collar. But what can I say – listening to experts is not what should be done on a Brexit Coat.

But let’s look at the poll first:

Clearly, no collar won over Peter Pan collar – and a notched collar was nowhere on the ballott sheet. But that’s what you are getting, suck it up, you lost! (Well, you didn’t loose, but I’m not sure that matters)

I other news it seems that the outward looking option of a snazzy lining seems to be ahead in the voting process rather than the make do and mend option of the plain lining. However, I considered my stash and realised that there might be another option hiding in there. Which one that is I’m not going to reveal at this stage as I like to keep my options close to my chest.

What I really enjoyed is the addition of “Other” – the almost Goove-ian subversiveness of this addition becomes the whole project, I think.

Now, when I started on the notched collar I realised that it is a lot more complicated than I was expecting! Somehow, I cut the facing piece too short and only realised what the problem was after I was missing what I should have had. This will forever go down in history as the Welsh Farmer move.

So I had to add another little piece to the facing to make up for the subsid — ahh, piece that I had cut off.

So I almost wonder if no coat might be better than a bad coat?

But I took heart from Nigel Farage (and no, I never thought I would say that), thinking that if the Brexit Coat didn’t work out I could simply go and buy myself a RTW coat – of course not without making ALL OF YOU have to wear the coat that I botched up,  mwahaha.

So while I ponder that thought, I wll give you the cold sholder and think of my sewing programme.

Burdastyle Wide Leg Trousers: Feel Free to Laugh Out Loud

Actually, the trousers are fine – no need to laugh at the trousers (though if you feel you want to laugh at them, go right ahead, I won’t be offended).

But I had to laugh at myself and my embarrassing attempts at posing. You see, I while back I promised I was going to get the lack-of-photography situation on this blog under control. To this avail I bought a new camera – nothing fancy, still a point and shoot, the Sony Cybershot RX100 III. But it can be remotely activated via the mobile, so I am able do do my own photoshoots and don’t have to rely on my long suffering husband who enjoys photoshoots as much as I do a visit to the dental hygienist.

But boy, this posing lark is a learning curve!! I’m fully accepting of the fact that I won’t look any prettier on photos than in real life – but I would be really pleased if I didn’t look a whole lot worse. So I read up on “how to shoot good blog pictures”.

All the technical side is still a bit above my head, so I decided I might have to work with what I’ve got.

Making long lines is what I’ve read one should make – judge for yourself in the picture at the top.

 

Or may be “creating angles” is where it’s at?

 

or alternatively no nonsense what you see is what you get?

I’m really working this, girlfriend, don’t you think?

On a slightly more serious side note, can you see how my cowl doesn’t gape?! More about the Hila top in another post!

I even arranged a photo”studio” in a corner of my sewing room: (and oh my god, I just discovered how to do these fancy circles!!!)

And on a by-note, may I introduce this top from Fashion Style 5/2015 which I suppose is not going to make it onto a separate blog entry. Win some, loose some, ey?

 

So there, you may stop laughing now!

How do you cope with posing? Is is something you enjoy? Find as awkward as I do? Do you have any tips? Mind you, beginner’s tips will suffice…

 

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Burdastyle 3/2014 #103 : The Spring’s Around the Corner Coat

I’m in love – again! If you’ve been reading this blog for any length of time, you’ll know that I am fickle and fall in love very easily. And it’s happened again, this time with this ivory wool coat.

Ever since #sewdowndewsbury I’ve fallen for the Style Arc Stella Coat that Karen wore to the meetup and I was determined to make it from this ivory wool felt in my stash. However, it turned out I didn’t have enough fabric, so I thought this trench style coat #103 from Burda 3/2014 was the next best thing.

Like the Style Arc Coat it has princess seams front and back and it’s also got no closure, although it doesn’t have a wrap that is as pronounced as the Style Arc one (which was the reason it would fit onto my fabric).

It can be worn belted as well as open and I like both ways equally. In fact I fell incredibly glamorous swishing past in my white wool coat with the belt trailing in my wake:

And there she comes back again:

 

As you know, I like to show the functionality of my clothes and I’ve outdone myself again: it fully allows me to walk up and down 😉

I left the coat unlined, which is another thing I’ve always wanted, an unlined cream coat. The edges were finished with black bias tape. At first I wasn’t sure about it, I thought it might look  a bit like a condolence card. But given that I rarely display the inside of my coat is if I wanted to sell contraband out of it, I guess nobody will notice much.

If you are into details, here are a few dress form pictures:

The  wool felt was a dream to work with: holds its shape, no confusing stretch, but can be shaped into submission with lots and lots of steam (although it does smell as if  one is surrounded by wet long haired dogs 😉 ), doesn’t fray. I top-stitched all seams using Gutermann topstitching thread, otherwise there was no way the seam allowances would lie flat.

I’ve worn the coat all week, whether it was warm enough for an unlined coat or not and I just love it. Ever since #sewdowndewsbury I’ve been on such a sewing high – the trousers and top in the pictures are new as well, so I hope I’ll get around to blogging them soon.

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