Tag Archives: Burdastyle

Burdastyle 11/2016 #109: Isn’t it a great time to be alive?

Well, of course I know that there are many things in the world that don’t make life all that great, both on a political and personal level. But then, so many things are good about the world and my heart is overflowing with these right now!

I mean, how great is to have a quick drink down the ice cream parlour on a Saturday morning with Child 3, who, I feel, is camouflaged enough to warrant a rare appearance on these pages.

And how fab is it to be able to give an outing to the blouse that has been lingering in my wardrobe for about 6 months waiting for warmer weather.

What do you think of Child 3’s qualities as a blog fotographer? Not doing badly, don’t you think?

And my qualities as model are unparalleled, as has been discussed many times. Look how versatile I am: I can even look the other way!

But back to the blouse: It’s Burdastyle 11/2016 #109. I’d actually traced the corresponding dress pattern and then decided to make this into a blouse, so the hemlined is eyeballed rather than what is intended by the pattern.

I’m wearing a cami underneath because I felt it was still a little cold. But even without one the neckline feels perfectly fine to me, and that’s though I’m not always at one with Burda’s opinion that where there is  a neckline there’s a belly button.

The blouse is plain in the back. I used a lovely silk cotton woven. It’s quite sheer and it would have been a bugger to cut and sew if I hadn’t given it my gelatine treatment.

I also gave an outing again to my Rosa jacket – still one of the light jackets I reach for most often.

Because of the sheerness of the fabric I took some time over the interior finish. All seams are French and the neckline is faced in self fabric.

 

The sleeves are a little wide for my liking, but they have an elastic finsh and I can push them up and out of my way, so that’s fine with me. I like the little vintage touch of the front yoke with the gathering.

Let me just leave you with a few impressions of this perfect morning that made me smile!

 

Merken

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Burdastyle 8/2016 # : Pleat Front Trousers

To those of you who are waiting for news of the Brexit Coat: Rest assured that the project is in strong and stable hands and the Minister for Sewing the Brexit Coat would like to stress that while the difficulty level of choosing those buttons is in another galaxy the project is nevertheless  progressing at an appropriate speed.
But as I’m not sure how much longer I’ll be able to keep up Brexit-related analogies, let me give you some light relief: In a departure from my usual style I made some pleat front trousers.

They are one of my #sewdowndewsbury projects – in fact the only one that I went to buy fabric for specifically. I used a non-stretch woollen suiting, and when I say non-stretch I mean absolutely no give whatsoever, neither across nor perpendicular to the grain. I was a little worried about this as I’d never made or even worn trousers so relentlessly non-stretch, but it’s turned out well.

I used Burdastlye 8/2018 #111. The trousers are quite high-waisted (please note that I am high-waisted anyway, so they look rather “normal”, but on someone with a figure that corresponds more to the norm the trousers do come up high). Also the pleating is rather more pronounced than is usual. I am never sure whether this is wise on a pear-shape like me, but yolo, I’ve decided to embrace this.

I didn’t make any changes to the pattern other than scooping out the crotch curve a little. I normally add some extra room to the back, but this was not needed in this pattern – I guess the roomy front takes care of any booty issues. I think the pocket opening should move further down, so if I ever make these trousers again I have a good change of forgetting to make this adjustment ;-).

Next up: further procrastination on the Brexit front in the form of not one but three shirtdresses. Buttons pending, so don’t hold your breath!

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Burdastyle 3/2013 #103: The Brexit Coat Part III: Some Leadership!

Well, what can I say? I sure didn’t think that the connection between sewing and political life was quite so direct. But in view of the event of the day I decided that some leadership was needed and put a collar on the Brexit Coat.

Yes, I know I asked for your vote on no collar or Peter Pan collar. But what can I say – listening to experts is not what should be done on a Brexit Coat.

But let’s look at the poll first:

Clearly, no collar won over Peter Pan collar – and a notched collar was nowhere on the ballott sheet. But that’s what you are getting, suck it up, you lost! (Well, you didn’t loose, but I’m not sure that matters)

I other news it seems that the outward looking option of a snazzy lining seems to be ahead in the voting process rather than the make do and mend option of the plain lining. However, I considered my stash and realised that there might be another option hiding in there. Which one that is I’m not going to reveal at this stage as I like to keep my options close to my chest.

What I really enjoyed is the addition of “Other” – the almost Goove-ian subversiveness of this addition becomes the whole project, I think.

Now, when I started on the notched collar I realised that it is a lot more complicated than I was expecting! Somehow, I cut the facing piece too short and only realised what the problem was after I was missing what I should have had. This will forever go down in history as the Welsh Farmer move.

So I had to add another little piece to the facing to make up for the subsid — ahh, piece that I had cut off.

So I almost wonder if no coat might be better than a bad coat?

But I took heart from Nigel Farage (and no, I never thought I would say that), thinking that if the Brexit Coat didn’t work out I could simply go and buy myself a RTW coat – of course not without making ALL OF YOU have to wear the coat that I botched up,  mwahaha.

So while I ponder that thought, I wll give you the cold sholder and think of my sewing programme.

Burdastyle Wide Leg Trousers: Feel Free to Laugh Out Loud

Actually, the trousers are fine – no need to laugh at the trousers (though if you feel you want to laugh at them, go right ahead, I won’t be offended).

But I had to laugh at myself and my embarrassing attempts at posing. You see, I while back I promised I was going to get the lack-of-photography situation on this blog under control. To this avail I bought a new camera – nothing fancy, still a point and shoot, the Sony Cybershot RX100 III. But it can be remotely activated via the mobile, so I am able do do my own photoshoots and don’t have to rely on my long suffering husband who enjoys photoshoots as much as I do a visit to the dental hygienist.

But boy, this posing lark is a learning curve!! I’m fully accepting of the fact that I won’t look any prettier on photos than in real life – but I would be really pleased if I didn’t look a whole lot worse. So I read up on “how to shoot good blog pictures”.

All the technical side is still a bit above my head, so I decided I might have to work with what I’ve got.

Making long lines is what I’ve read one should make – judge for yourself in the picture at the top.

 

Or may be “creating angles” is where it’s at?

 

or alternatively no nonsense what you see is what you get?

I’m really working this, girlfriend, don’t you think?

On a slightly more serious side note, can you see how my cowl doesn’t gape?! More about the Hila top in another post!

I even arranged a photo”studio” in a corner of my sewing room: (and oh my god, I just discovered how to do these fancy circles!!!)

And on a by-note, may I introduce this top from Fashion Style 5/2015 which I suppose is not going to make it onto a separate blog entry. Win some, loose some, ey?

 

So there, you may stop laughing now!

How do you cope with posing? Is is something you enjoy? Find as awkward as I do? Do you have any tips? Mind you, beginner’s tips will suffice…

 

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Burdastyle 3/2014 #103 : The Spring’s Around the Corner Coat

I’m in love – again! If you’ve been reading this blog for any length of time, you’ll know that I am fickle and fall in love very easily. And it’s happened again, this time with this ivory wool coat.

Ever since #sewdowndewsbury I’ve fallen for the Style Arc Stella Coat that Karen wore to the meetup and I was determined to make it from this ivory wool felt in my stash. However, it turned out I didn’t have enough fabric, so I thought this trench style coat #103 from Burda 3/2014 was the next best thing.

Like the Style Arc Coat it has princess seams front and back and it’s also got no closure, although it doesn’t have a wrap that is as pronounced as the Style Arc one (which was the reason it would fit onto my fabric).

It can be worn belted as well as open and I like both ways equally. In fact I fell incredibly glamorous swishing past in my white wool coat with the belt trailing in my wake:

And there she comes back again:

 

As you know, I like to show the functionality of my clothes and I’ve outdone myself again: it fully allows me to walk up and down 😉

I left the coat unlined, which is another thing I’ve always wanted, an unlined cream coat. The edges were finished with black bias tape. At first I wasn’t sure about it, I thought it might look  a bit like a condolence card. But given that I rarely display the inside of my coat is if I wanted to sell contraband out of it, I guess nobody will notice much.

If you are into details, here are a few dress form pictures:

The  wool felt was a dream to work with: holds its shape, no confusing stretch, but can be shaped into submission with lots and lots of steam (although it does smell as if  one is surrounded by wet long haired dogs 😉 ), doesn’t fray. I top-stitched all seams using Gutermann topstitching thread, otherwise there was no way the seam allowances would lie flat.

I’ve worn the coat all week, whether it was warm enough for an unlined coat or not and I just love it. Ever since #sewdowndewsbury I’ve been on such a sewing high – the trousers and top in the pictures are new as well, so I hope I’ll get around to blogging them soon.

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A quick review of Burdastyle 3/2017

My feeling is that Burdastyle has come in for a lot of criticism lately, and I have to say that I agree: there have been noticeably fewer patterns in each issue and a lot of repetition.  They seem to have a new design team and for my taste the quality has slipped a little since.

The March issue is a little better, in my opinion, so I thought I’ll share a few thoughts with you.
It’s the wedding dress edition with a few nice dresses:

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I like the look of that, however even on the model the straps don’t really lie flat, so I wonder whether that isn’t a problem waiting to happen.

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This is marketed as a “Duchess of Cambridge”-style dress. Well – not every lacy sleeve makes a Duchess of Cambridge dress, does it?!

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The “wedding guest” dress on the left made me wonder – I guess there must have been a simple A-line dress with wide sleeves in every one of the last five issues. Why another one? And a boring one at that?

The boho-wedding dress… Well, if you’re going in for a beach wedding it could come in useful.

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This made me laugh out loud! Wear this to a wedding?? A beach-coverup style mini dress? Really? I was under the impression that most 17 year olds don’t get married these days.

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This are the two things from the issue that I might just make: I really like the trousers. They are in the tall size and a real classic. I have fabric waiting, so these might be one of my next projects.
The cold-shoulder top is nice too, a bit more structured than most. I might make this once summer comes along, from some black cotton I still have in my stash from Ecuador.
There are instructions for the embroidery and although I personally hate embroidery I think it’s a brilliant idea to teach that skill for those who are ameanable.

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There is another reason that Burdastyle isn’t so attractive to me any more: they are reaching out more to the beginner, like in this very simple top. It’s great in principle for a newbie to get more detailed instructions, but I personally would like it if they branched out more into advanced techniques too, so that more experienced sewists get a chance to learn some new skills too.

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Nice, classes pieces for kids – I expect these patterns will be popular.

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That’s my favourite outfit in the whole magazine, in the plus section, so I won’t be able to use it because I’m too lazy to teach myself the skills to size this down. I like also that they have used a proper plus size model, so you really get to see what these patterns look like on a curvy figure.

img_6016That is great too – love it! This is easy enough to frankenpattern from other sources, so I might just make that. I love the combination of the two fabrics.

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So near and still so far! I think it’s brilliant they are doing info on pattern changes. This is for FBAs – but I just think the instructions are a bit too sparse, two pictures for each type of FBA. I would much prefer it if they had fewer methods, but more clearly explained.

And now for my pet peeve:

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A few months back they started baking recipes. Baking recipes!! Are these in the international edition as well? What place do these have in a sewing magazine? There is a rebellion against them on the Burda Facebook page every month, but Burda’s heart seems set on them.

Just a quick overview of all patterns:

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and technical drawings:

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Overall, I think it’s not a bad issue, but not stellar either. I cancelled my subscription in December, so this is my last issue of the subscription and I have to say that it has not changed my mind.

By the way: Please excuse the bad quality of the pictures. I do recognise the problem and I ordered a new camera. It’s still just a point-and-shoot, but a more high-end one than the point-and-shoot that I’ve been using so far. AND I have enrolled into Photography for Beginners course in order to learn at least the tiniest bit about photography AND I hope to find a corner in my sewing room as a “photo studio”, so maybe I’ll have a more regular supply of well-lit photos in future. One can just hope!

Burdastyle 10/2016 # + True Bias Ogden: Culottes with silky top

Oh culottes!! If only I could make my mind up about them! My love/hate relationship with them goes so far that I don’t even know whether to love or to hate them at any given time. I mean, it would be great if I loved them: they are such a great garment in principle. The beauty of skirts with the practicality of trousers! Plus they are having a fashion moment and for me to partake in that is a rare pleasure.

But then: do they really look good, in real life, not in the “cool city girl” life that clearly isn’t mine? Not sure…

A case in point are these culottes that Burdastyle has been going crazy about for a couple of years:

https://i1.wp.com/www.burdastyle.de/chameleon/mediapool/thumbs/1/8e/111-102016-B_300x400-ID391407-e05327e4d1dd13f4dc23877165e4cd19.jpg

http://www.burdastyle.de/burda-style/damen/7-8-hose-hosen_pid_188_15151.html

Aren’t they just the coolest thing?

Well, here is my version:
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(BTW: Don’t get any delusions about the quality of the weather here in Germany. These pictures were taken a few weeks ago. We are well into autumn dreariness right now…)

It’s all a bit more art teachery, isn’t it? Clearly, they should be worn with heels rather than with flats. A slightly drapier fabric would be good as well, rather than this rigid denim from deep stash.

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But feast your eyes on my new favourite make: the True Bias Ogden cami! I already made about 5 and they are revolutionising my underwear drawer.

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As you all know I like to prove the versatility of my makes! Look, the Ogden is fully pull-outable!

And just in case somebody should think I don’t pull out all the stops for my blog photography here is proof to the contrary!

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Always in action for your viewing pleasure!

But back to those culottes:

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I made them with slanted pockets rather than with single welt side pockets as in the pattern. I did make another version that I don’t have pictures of with the welt pockets, but I did not like the way the pocket bag feels against the leg, so I went with slanted pockets.

The front and back creases are sewn in, not just ironed. I made a little mistake there by sewing them just a bit too wide, so they look a bit severe. I really should have sewn just a needle width away from the edge of the crease.

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It’s especially obvious running down the back where ironed in creases would have been sat flat, so this looks a bit unnatural. Well, lesson learnt, I’m not loosing any sleep over it.

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I love me a gold zipper, so they got the hardware salvaged from a previous make. Obviously, there’s a little metal confusion going on, what with the gold zipper and the silver belt, shoes and top but hey, this is how I roll ;-).

And indulge me with one last picture: I’ve been clearing out my wardrobe recently and have given away a lot of me-mades that just weren’t got worn. But one of the items that is still going strong is the white topper from Burda’s 1950s Vintage edition:

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I still love it and wear it regularly, both as a jacket in the spring and a top in the autumn/winter.

So what do you think about these culottes? Yay or nay? I’m still undecided – but I have a few bits of fabrics in my stash that would be just right for another pair. So should I – or shouldn’t I?

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